She did effect an improvement in the poor lady’s dress. On Madge’s advice she took her to a voluble little woman in the Earl’s Court Road who was struck at once by Madame Phillips’s remarkable resemblance to the Baroness von Stein. Had not Joan noticed it? Whatever suited the Baroness von Stein—allowed by common consent to be one of the best-dressed women in London—was bound to show up Madame Phillips to equal advantage. By curious coincidence a costume for the Baroness had been put in hand only the day before. It was sent for and pinned upon the delighted Madame Phillips. Perfection! As the Baroness herself would always say: “My frock must be a framework for my personality. It must never obtrude.” The supremely well-dressed woman! One never notices what she has on: that is the test. It seemed it was what Mrs. Phillips had always felt herself. Joan could have kissed the voluble, emphatic little woman. In the end she would go into Parliament. It would be bound to come soon, the woman’s vote. And after that the opening of all doors would follow. She would wear her college robes. It would be far more fitting than a succession of flimsy frocks that would have no meaning in them. What pity it was that the art of dressing—its relation to life—was not better understood. What beauty-hating devil had prompted the workers to discard their characteristic costumes that had been both beautiful and serviceable for these hateful slop-shop clothes that made them look like walking scarecrows. Why had the coming of Democracy coincided seemingly with the spread of ugliness: dull towns, mean streets, paper-strewn parks, corrugated iron roofs, Christian chapels that would be an insult to a heathen idol; hideous factories (Why need they be hideous!); chimney-pot hats, baggy trousers, vulgar advertisements, stupid fashions for women that spoilt every line of their figure: dinginess, drabness, monotony everywhere. It was ugliness that was strangling the soul of the people; stealing from them all dignity, all self-respect, all honour for one another; robbing them of hope, of reverence, of joy in life.!

“There is no God, apart from Man.” Miss Tolley murmured agreement.

But the dyed hair and the paint put up a fight for themselves. She ought to have insisted on their going to a decent shop. The mere advertisement ought to have forewarned her. It was the posters that had captured Mrs. Phillips: those dazzling apartments where bejewelled society reposed upon the “high-class but inexpensive designs” of Mr. Krebs. Artists ought to have more self-respect than to sell their talents for such purposes. “Yah, socialist,” commented Madge, who was busy with the tea things.